The Age Of Catastrophe

We’re living in the age of catastrophe, where civilization faces collapse and the freedoms we once knew have morphed into a toxic pursuit of self-interest. History’s greatest dynasties remind us that empires rise and fall, yet we continue to devour each other, blind to our shared humanity.

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Alberto Marzan
Me

the beautiful complexity of where I come from with a splash of the most alluring fragrances from the my brujas in the ancestral tree (all of my women ) drives every part of my soul to only want to tell meaningful and impactful stories from around the world and express that through film with the best humans in my universe. one winter.

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Alberto Marzan
One Winter

One Winter is set in New Zealand in 1981, when the arrival of the South African rugby team sets off nationwide protests against apartheid and racism. Josh Waaka (Dennison), a 17-year-old of mixed race who has been a passive bystander all his life, is suddenly forced to stand up for himself, his whānau, or family, and his future.

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Alberto Marzan
Roses Are Red

not sure you know this but you weren’t the only, there were twenty-nine to be exact. out of the blue you got into the red which surprises you more than me. those window eyes of yours clearly showcase what matters especially from this angle.

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Alberto Marzan
I See You

I remember first seeing Nick Veasey’s prominent fixture at the V&A (Victoria and Albert Museum in London) and how it struck me to be a clear resemblance to life.

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Alberto Marzan
Where The World Ends

“Where the World Ends will focus on a lighthouse nowhere near any other major civilization in the middle of the deep blue ocean. Every week a supply boat makes a treacherous journey to leave necessary provisions to the lighthouse keeper but the sailors never meet him as he always remains hidden in the shadows. One day this all changes when a new boatman starts wondering who this mystery man is, and he sets off on a course that will change all their lives forever.

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Alberto Marzan
Relentless

It was a muggy Saturday afternoon, I finished an episode of “Thundercats” and my gang of women who at that time were much bigger, older and stronger loaded up in the station wagon and headed to the Saturday ritual of going to “el salon” to get their hair done. I jump on the freshly refurbished BMX and start cruising around Silver Oaks mobile home neighborhood as if I owned it.

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Alberto Marzanrelentless
What Was Missing

The feeling of communication is very elusive. There’s always an incompleteness to being seen by another is understandable. We combine text, image, dance, music, sexy,and activism to create hybrid forms of communication that question traditional concepts of representation.

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Alberto Marzan